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Amélie Esterházy⎥A calculus of the nervous system
February 24th - April 11th 2024
In her exhibition A calculus of the nervous system at behncke gallery | ludwig space, Amélie Esterházy (born 1982, lives in Berlin) presents a series of new works that explore the connection between art and science. Esterházy combines the mathematical and biological with the ephemeral and poetic, thus arriving at (un)scientific findings that she translates into sculptures and reliefs - as the title quote from Ada Lovelace A calculus of the nervous system expresses.
18 April 2024, 6-9 pm⎮Exhibition opening⎮ marco schuler⎮neue werke⎮
DURATION: 19 APRIL TO 15 JUNE 2024
Marco Schuler presents new works that immediately confront the visitor with all kinds of creatures, figures and scenarios of all genres and genres, all of which seem to have sprung from the personal and social subconscious. Visitors are greeted by the painted steel sculpture "Radix", a disarmingly cheerful leprechaun, which with its pointed spikes also has a potential for danger and points explosively in all directions to Schuler's universe of almost 50 pictures. This armada, this panopticon, "those figures of the game of life", open up the whole spectrum of human expression, feeling and imagination between life and death with fantasy, joie de vivre, humour and profundity.
20.03.2024⎮WELTKUNST ⎮Kunsthandel / Fresh Feeling with Elisa Breyer
In her paintings, Elisa Breyer gives everyday objects the big stage: stockings on the washing line, hair ties - or a head of lettuce as in ...
elisa breyer⎮podcast⎮extremely good artists: #6 Elisa Breyer
Today's guest is the painter Elisa Breyer. Elisa was born in Berlin in 1995 and studied visual communication at the Bauhaus University in Weimar and at Chung-An University in South Korea's capital Seoul. Since 2021 she has been studying painting in Karin Kneffel's class at the Munich Art Academy. Elisa is one of the most sought-after artists of her generation. In her pastel-coloured paintings, she captures the curiosities of human existence in the form of everyday objects: stockings on a washing line, egg slicers, hair ties and a hot water bottle to help with menstrual cramps. "Although I paint in a figurative sense," says Elisa, "I don't paint what I see, but what I feel."